Italian Harpsichord III - Edition Beurmann

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mp3 Demo - Alessandro Scarlatti - Toccata in D

mp3 Demo - Michelangelo Rossi - Toccata C

mp3 Demo - Bernardo Pasquini - Toccata Del Sec-Tono

Performed by Steffen Fahl

The performances contain additional reverb.


The Italian Harpsichord III library features an instrument built around 1690 by an anonymous maker. Featuring three sounds - a front and a rear 8' register as well both together - it allows for the traditional rich and slick Italian harpsichord tone, offering additional flexibility by choosing the adequate 8' or using the gentle 2 x 8' combination with its inspiring and complex harmonics.

Italian harpsichord, around 1690 - photo by Andreas E. Beurmann

While it is very typical for the Italian style to feature a housing seperated from the painted cabinet, this instrument is one of the rare Italian harpsichords with a fixed housing. Instead, it belongs to the category of so-called false inner-outer instruments: The edges of the body as well as the offset cheeks are used to pretend that it features a separate housing.


Left cheek with carving - photo: Andreas E. Beurmann

After more than 300 years, the harpsichord still remains in well-playable condition despite its age. It is now available for your sampler, presented in its original Kirnberger III-tuning at 382 Hz, capturing all three register variations - front 8', rear 8' and both 8' registers together. Presets at 440 Hz are also available. The harpsichord features a so-called "short octave" in the lowest range, assigning some keys to lower notes and thus giving the instrument an extended range in the bass (at the cost of other bass notes).

Like all harpsichords, the instrument is not touch-sensitive in the sense of a piano. However, not any given note will sound exactly the same twice due to different resonances of body and strings. Therefore, we captured every sampled register with 8 variations per note.

The key release sounds are also of major importance: We recorded 4 release samples per note. In addition, the library contains an essay in German by Andreas Beurmann, explaining the background of the instrument.

The sample library contains more than 1.600 single recordings.

Presets are included for HAlion®, Kontakt® (full version required) and EXS24® software samplers.

For recording, we employed custom-made Wagner™ U47w® tube microphones with Crane Song™ Flamingo® preamps and Universal Audio™ 2192® digital converters. The samples were recorded at 192 kHz/24 bits, downsampled to your resolution of choice.

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Additional product information

Samplerate 44.1 kHz
Format Kontakt™/HAlion™/EXS24™
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