German Celesta - Edition Beurmann


German Celesta - Edition Beurmann

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mp3 Demo - Tschaikowsky - Der Nussknacker: Tanz der Zuckerfee

mp3 Demo - Celesta aus Bergs 'Altenbergliedern'

mp3 Demo - Debussy 'Voiles' (Bd.1, Nr.2)

mp3 Demo - Hommage to Schönberg (by Steffen Fahl)

Performed by Steffen Fahl

The performances contain additional reverb.

 

Invented over 125 years ago, the celesta remains a nicely obscure yet fascinating instrument: It sports a vibrant, mellow and charming sound remeniscent of a vibraphone, glockenspiel, marimba and a piano - yet a sound of its own.

At that time, it was inspiring to those looking for a new sound - Pjotr Tschaikowsky wrote some parts of his Nutcracker for a celesta. Its predecessor, the Dulcitone was rather quiet and unappropriate for orchestral use, whereas the Celesta offers rich harmonics and bell-like tone that chime with force.

Celesta
Schiedmayer celesta from the Beurmann collection - photo by Andreas E. Beurmann

Back then, no one had ever dreamt that a celesta would be as relevant today as ever - being the acoustic ancestor of the most popular vintage electric pianos, which share the same basic sound principles. Providing a warm and full bass, it carries more weight than a toy piano and is great for any track demanding an unconsumed yet familiar sound.

This instrument out of the Beurmann collection is from Schiedmayer in Stuttgart, Germany, and was built around 1960. It cost a fortune, and it still does, so there's only few concert halls which keep one around. The celesta is rather tough to play, offering a very tight and limited dynamic response. This is due to the hammers not touching moving strings but steel plates. However, the dynamics are more pronounced than with a Dulcitone, for example, since the hammers' lever stroke is considerably higher with the celesta. The steel plates are oppositely placed in the housing instead of juxtaposed placement.

Celesta_innen

Under the hood of the celesta - photo by Andreas E. Beurmann

Capturing the dynamic shades of the instrument, we recorded every note with 16 different samples. We recorded the release sounds as well, providing 8 varitions of each key release sound to complete the virtual celesta. In addition, the library contains an essay in English from Prof. Beurmann, explaining both the historical and musical background of the instrument.

Presets are included for HAlion®, Kontakt2® (or higher) and EXS24® software samplers.

The sample library contains nearly 1.200 single recordings.

For the recording process, we employed custom-made Wagner™ U47w® tube microphones in conjunction with Crane Song™ Flamingo® preamps and Universal Audio™ 2192® digital converters. The samples were recorded at 192 kHz/24 bits, downsampled to your resolution of choice.

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Additional product information

Samplerate 44.1 kHz
Format Kontakt™/HAlion™/EXS24™
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