mp3 Demo - J. C. Bach - Grave c moll
mp3 Demo - Thomas Augustine Arne - Allegro A
mp3 Demo - Mozart - aus dem Londoner Skizzenbuch - g Moll
Demo tracks by Steffen Fahl
mp3 Demo - Tutti (Both 8' + 4' combined) - J.K.F. Fischer - Rondeau
mp3 Demo - Both 8' - J. K. F. Fischer - Chaconne
mp3 Demo - Upper 8' - J. J. Froberger - Sarabande
mp3 Demo - Nasale stop - Cabezon - Fabordone del primer Tono
mp3 Demo - 4' - J. J. Froberger - Sarabande
mp3 Demo - Lower 8' - J. K. F. Fischer - Allemande
mp3 Demo - Lute stop - G. F. Händel - Gavotte
Demo tracks by Tobias Birkenbeil
The performances contain additional reverb.
The English Harpsichord library features an instrument built by Jacob Kirckman in 1766. Due to its two manuals and many registers, the Kirckman harpsichord offers lots of unqiue sounds, sampled with 6 register combinations, including the upper 8', lower 8' (principal 8'), both 8' together, the 4' register, the lute stop as well as the nasale stop only available with Kirckman instruments.
Jacob Kirckman's harpsichords are highly sought-after because of their sound quality and their signature sound. This harpsichord is one of seven Kirckman instruments within the Beurmann Collection, impressively showing off its special qualities.
Kirckman harpsichord - photo: Andreas E. Beurmann
Like all harpsichords, the Kirckman is not touch-sensitive. However, not any given note will sound exactly the same twice due to different resonances of body and strings. Up to now, many keyboards and samplers represented harpsichords by always triggering off the exact same digital sample, leaving a sterile sounding impression.
In order to pay tribute to the liveliness and depth of this antique instrument, we captured every sampled register with up to 8 variations of each note.
inner side view of the Kirckman harpsichord - photo: Andreas E. Beurmann
To complete the harpsichord experience, we recorded every register with 4 different release samples of each note.
Remaining in great condition in the collection of Andreas Beurmann, it is now available for your sampler, presented in its original Valotti tuning at 368 Hz (presets in 440 Hz are included as well). Furthermore, the library contains an essay in German from Prof. Beurmann, explaining both the historical and musical background of the instrument.
Presets are included for HAlion®, Kontakt2® (or higher) and EXS24® software samplers.
The sample library consists of 3.600 single samples.
Recorded in the great sounding rooms of the Hasselburg estate, we employed vintage Neumann™ TLM-170® microphones in conjunction with Crane Song™ Flamingo® preamps and Universal Audio™ 2192® digital converters. We recorded the instrument at 192 kHz/24 bits, downsampled to your resolution of choice.
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